columns
Editor’s Note
I suppose it’s an old point, the one I’m always learning, the complex and ambivalent nature of productivity. Of feeling horrible about the alien order…
Editor’s Note
columns
Editor’s Note
Disguise Self Illusion Level: 1 Range: Self Duration: 1 hour You make yourself – including your clothing, armor, weapons, and other belongings on your person…
Features
Apology to Yilin and Collaborators
The following letter from Discorder’s Editor-in-Chief relates to an article published in the Winter 2018-19 print edition of the magazine. Dear Reader, The following is an apology…
columns
BB’S LAST WORD
“In 2015, I burned for recognition and for the opportunity to prove myself. But now, at 29-years old and confident in my capabilities as a writer and an artist, glory isn’t paying my fucking rent.”
columns
VICTORIOUS
“Since becoming Editor-In-Chief, the way I perceive being victorious has changed.”
columns
EDITOR’S NOTE | POP ALLIANCE VOL. 2 AND CULTURAL APPROPRIATION
As a magazine and media organization, we take responsibility for the ways we have failed our contributors and community, and we want to keep this conversation open.
columns
CHANGE, ETC.
Cities, circumstances, people, everything changes, but it’s how we react and adapt to change that determines the nature of the outcome.
columns
JUST SHOW UP
“As settlers, or non-Indigenous people, we sometimes allow fear to debilitate us from being more active allies to Indigenous groups.”
columns
EDITOR’S NOTE | SEX. CONSENT. EDUCATION. INCLUSIVITY.
“You have probably guessed by Shannon Lester’s cover art, Discorder is playing with fire this month. And why not?”
columns
A PICTURE IS WORTH A THOUSAND WORDS OF SUBTEXT
‘Subtext’ refers to unseen messages or implications found in creative work. As it suggests, subtext is a written phenomenon, but it shows up in different ways.