Features
Apology to Yilin and Collaborators
The following letter from Discorder’s Editor-in-Chief relates to an article published in the Winter 2018-19 print edition of the magazine. Dear Reader, The following is an apology…
Editor’s Note
columns
BB’S LAST WORD
“In 2015, I burned for recognition and for the opportunity to prove myself. But now, at 29-years old and confident in my capabilities as a writer and an artist, glory isn’t paying my fucking rent.”
columns
VICTORIOUS
“Since becoming Editor-In-Chief, the way I perceive being victorious has changed.”
columns
EDITOR’S NOTE | POP ALLIANCE VOL. 2 AND CULTURAL APPROPRIATION
As a magazine and media organization, we take responsibility for the ways we have failed our contributors and community, and we want to keep this conversation open.
columns
CHANGE, ETC.
Cities, circumstances, people, everything changes, but it’s how we react and adapt to change that determines the nature of the outcome.
columns
JUST SHOW UP
“As settlers, or non-Indigenous people, we sometimes allow fear to debilitate us from being more active allies to Indigenous groups.”
columns
EDITOR’S NOTE | SEX. CONSENT. EDUCATION. INCLUSIVITY.
“You have probably guessed by Shannon Lester’s cover art, Discorder is playing with fire this month. And why not?”
columns
A PICTURE IS WORTH A THOUSAND WORDS OF SUBTEXT
‘Subtext’ refers to unseen messages or implications found in creative work. As it suggests, subtext is a written phenomenon, but it shows up in different ways.
columns
#metoo, now what?
Over the last month, Vancouver has seen dozens of significant call-outs of sexual predators on social media. So, now what? I have researched some texts…
columns
“…isn’t as bad in Canada”
This Editor’s Note would perhaps be best as a Hot Head, but I’m feeling indulgent. As a juror of the Polaris Music Prize; as a…